THE INDUSTRY ORIGINATOR OF PRODUCTION MUSIC

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Ole Georg, Jutta Georg and Rex Harrison
  • Jutta and Ole Georg, at a Capitol Record's party
    Jutta and Ole Georg, at a Capitol Record's Tower party in Hollywood, shop-talk with Nat King Cole and his wife Maria about his newest album release.
  • ole georg music
    At a Hollywood party, Jutta and Ole Georg discuss the music score of "My Fair Lady" with the film's star, Rex Harrison.
  • Screenwriters, Jutta and Ole Georg
    Screenwriters, Jutta and Ole Georg, spending an evening with two-time Academy Award winning writer/director, George Seaton (“Miracle on 34th Street” and "The Country Girl"), as guests in his studio bungalow where he gave the couple advice on their latest screenplay. Pictured left to right: Producer William Perlberg, Jutta, Debbie Reynolds, Ole and George Seaton.
  •  OGM founders, Jutta and Ole Georg.
    OGM founders, Jutta and Ole Georg, enjoying Copenhagen hot dogs during a brief stay in their native Denmark.

OGM is the flagship label of Ole Georg who pioneered and introduced “Production Music” - a term used by music professionals and collection societies worldwide. With a vast background in classical music as founder/chairman of The Danish Youth Symphony Orchestra, and composer of contemporary music featured in award-winning Hollywood films and television shows, Ole Georg has produced every music style and genre known over the past 100 years. OGM records all its own music for all media worldwide.

Listen to The Capitol Media Music Series Edition

HOW IT ALL STARTED

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A BIT OF HISTORY: It all started in 1954 when 18 year old Composer/violinist OLE GEORG founded (and was chairman of) the DANISH YOUTH SYMPHONY ORCHESTRA here shown in concert at the DANISH STATE BROADCASTING concert hall in Copenhagen. The orchestra became a stepping stone for music students at the Royal Academy of Music and was conducted by famous film composer, Peter Deutch. - With the late Danish King Frederick IX as protector and sponsored by big corporations the orchestra became enormously successful - played in concert halls throughout Europe, including London's Royal Festival Hall, the BBC - and recorded a commercial album featuring classical Scandinavian composers in EMI's famous Abbey Road studios in London (home of the Beatles) released on HMV-label.
OGM

ACT OF VENGENCE
The AFFAIR OF THE NECKLACE
ALFREDO ALFREDO
AMAZON WOMEN ON THE MOON
ANGLES IN THE ENDZONE
AT CLOSE RANGE
The BABY SITTER
BAD NEWS BEARS
BANG THE DRUM SLOWLY
The BANGER SISTERS
BE COOL
BEACHES
BEING THERE
BIG
BLACK RAIN
BLACK WIDOW
BLIND SIDE
BOOGIE NIGHTS
BOYZ'N THE HOODS
BREAKFAST OF CHAMPIONS
BULWORTH
CHILD'S PLAY 3
CHINA MOON
CLUELESS
COCKTAIL
COLORS
CONNIE AND CARLA
COMING SOON
CRAZY IN ALABAMA
CREEP SHOW
CROSSROADS
DATE WITH AN ANGEL
DELTA FORCE
DIE HARD WITH A VENGEANCE
DIE HARD II
DR. GIGGLES
DOING TIME ON PLANET EARTH
DOWNTOWN
DRIVING MISS DAISY
DUDE, WHERE'S MY CAR?
DYING YOUNG
EDWARD SCISSORHANDS
The EMPEROR'S NEW GROOVE
ENCINO MAN
FEELING MINNESOTA
52 PICK-UP
FIREWALKER
The FLY
FOXFIRE
FRESH HORSES
GALAXINA
GET SHORTY
The GETAWAY
GOD CREATED WOMEN
GONE FISHIN'
GOOD MORNING, VIETNAM
The GOOD MOTHER
GREENCARD
GREMLINS II
GROSS ANATOMY
GUARDING TESS
The GUN IN BETTY LOU'S HANDBAG
HANOI HILTON
HARRIET THE SPY
HEAD OF STATE
HEART OF DIXIE
HELLO AGAIN
HOAX
HOME ALONE
HOODLUM
HOOSIERS
HOT TO TROT
I LOVE TROUBLE
ICE PRINCESS
IMAGINE THAT
IN 'N OUT
IN THE NICK OF TIME
The INCREDIBLE BURT WONDERSTONE
THE INCREDIBLES
INNERSPACE
INVASION U.S.A.
J. EDGAR
JACK FROST
JACK'S BACK
JUMPING JACK FLASH
The KID
THE KEEPER OF LOST CAUSES
LADYBUGS
LADYBUGS
LANDS END "CHRISTMAS"
LAUREL CANYON
LET IT RAIN
LESS THAN ZERO
LICENSE TO DRIVE
The LOST TREASURE OF SAWTOOTH ISLAND
LOVE POTION #9
MADAGASCAR: Escape 2 Africa
The MAN FROM ELYSIAN FIELDS
The MANCHURIAN CANDIDATE
MARRIED TO THE MOB
The MARRYING MAN
MARVIN'S ROOM
MEN DON'T LEAVE
MIAMI BLUES
The MIGHTY DUCKS
MIRACLE MILE
MISSISSIPPI MASALA
MR. DESTINY
MOONLIGHT & VALENTINO
MYSTERY MEN
The NAKED GUN
The NAKED GUN 2 1/2
NATURAL BORN KILLERS
NEW YORK STORIES
NIGHT AT THE GOLDEN EAGLE
NIGHT FALLS ON MANHATTAN
NIGHT OF THE LIVING DEAD
NIGHTMARE BEFORE CHRISTMAS (Trailer)
NINE TO FIVE
NIXON
NOVOCAINE
The ODD COUIPLE 2
OLD SCHOOL
ONCE BITTEN
ONCE UPON A CRIME
ONLY THE LONELY
The ONLY THRILL
ORIGINAL INTENT
The OTHER SISTER
OVER THE TOP
PASSENGER 57
P.C.U.
The PERFECT MAN
The PERFECT WEAPON
The PLEDGE
POLICE ACADEMY
POLLY
PRANCER
PRECIOUS
PRELUDE TO A KISS
PRESUMED INNOCENT
PRETTY WOMAN
PROJECT X
PULP FICTION
PUNCHLINE
PYRATES
RAISING HELEN
RAMBO – FIRST BLOOD, PART II
READY TO WEAR (Pret-a-Porter)
The REAL McCOY
REALITY BITES
REASONABLE DOUBTS
RESERVOIR DOGS
REVERSAL OF FORTUNE
RIGHT TO KILL
ROCK 'N' ROLL MOM
ROGER RABBIT
ROMY & MICHELE'S HIGH SCHOOL REUNION
The SECRET GARDEN
SERPICO
SEVEN
SHE-DEVIL
SKY HIGH
SLEEPLESS IN SEATTLE
SMALL SOLDIERS
SON-IN-LAW
SPACE: ABOVE AND BEYOND
SPECIES
SPEECHLESS
STELLA
STINKERS
STIR OF ECHOES
STOP! OR MY MOM WILL SHOOT
STRAIGHT TALK
STREETS OF GOLD
SWEET DREAMS
SWING KIDS
TALES FROM THE DARKSIDE
TERMINATOR
TEXAS CHAINSAW MASACRE I
TEXAS CHAINSAW MASACRE II
THAT THING YOU DO!
THE WOMAN IN THE CAGE
THIS IS MY LIFE
TO DIE FOR
TO WONG FOO, THANKS FOR EVERYTHING, JULIE NEWMAR
TOUGH GUYS
TRAPPED IN PARADISE
TRIGGER EFFECT
TRUE IDENTITY
U-TURN
UNNATURAL CAUSES
UP CLOSE AND PERSONAL
VIRGIN
WHATEVER IT TAKES (Formerly: “I'll Be You”)
WHITE WINTER HEAT
WING COMMANDER
WHO FRAMED ROGER RABBIT
YEAR OF THE COMET
YOUR TICKET IS NO LONGER VALID

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A CURRENT AFFAIR
AFTER HOURS
ALIAS
ALIEN NATION
ALLY McBEAL
AMERICAN JOURNAL
ANGEL
ANYTHING BUT LOVE
ARRESTED DEVELOPMENT
BABES
BATMAN (Animated Series)
BAYWATCH
BEGGARS AND CHOOSERS
The BEVERLY HILLBILLIES
BEVERLY HILLS 90210
BIG
The BIG SPIN
BIOGRAPHY
BIOGRAPHY: ABBOTT AND COSTELLO
BIOGRAPHY: DEBBIE REYNOLDS
BIOGRAPHY: FABERGE
BIOGRAPHY: GRACE KELLY
BIOGRAPHY: HIROHITO
BIOGRAPHY: HUEY LONG
BIOGRAPHY: JOSEF STALIN
BIOGRAPHY: LA GUARDIA
BIOGRAPHY: LARRY KING
BIOGRAPHY: THOMAS A. EDISON
BLESS THIS HOUSE
BODY BUDDIES
The BOLD AND THE BEAUTIFUL
BOOKER
BORDER LINE
BOSTON PUBLIC
The BOWMAN'S (a.k.a. THE GOOD LIFE)
BUFFALO GIRLS
BUFFY THE VAMPIRE SLAYER
CAROL & CO.
CHAPULIN COLORADO
CHAVO DEL OCHO
CHARLIE GRACE
CHESPIRITO
CHICAGO HOPE
CHINA BEACH
C.H.I.P.S.
CIRCUS OF THE STARS
CIVIL WARS
The COMMISH
COSBY
The COSBY SHOW
CRAIG KILBOURN
C.S.I.
DAVE'S WORLD
The DAVID LETTERMAN SHOW
DAVID NIVEN SHOW
DAYS OF OUR LIVES
D.C.
D.E.A.
DEADLY RELATIONS
DESPERATE HOUSEWIVES
DESIGNING WOMEN
DILBERT
DISNEY SUNDAY NIGHT MOVIES
DISENADOR AMBOS SEXOS
DOOGIE HOWSER, M.D.
DRAGNET
DREAM ON
The DREW CAREY SHOW
EASY MONEY
EARLY FROST
ED
EIGHT IS ENOUGH
ELLEN
E.R.
EVENING SHADE
EVITA
FALCON CREST
FAMILY MATTERS
FANTASY ISLAND
FELICITY
FIREFLY
The FIVE MRS. BUCHANANS
THE FLASH
FOREVER KNIGHT
THE FUGITIVE
FULL HOUSE
GABRIEL'S FIRE
GOING PLACES
GOING TO EXTREMES
GOOF TROOP
THE GREAT DEFENDER
HACK
HAPPY DAYS
HAPPY DAYS
HARD COPY
HEROES: MADE IN THE U.S.A.
HIDDEN HILLS
HIGHWAYMAN
HOOK, LINE & STINKER
THE HOWARD STERN SHOW (THEME)
INSIDE EDITION
INTIMATE PORTRAIT
JAG
The JANE WHITNEY SHOW
JESSE
JOHN DOE
JUDGING AMY
The KIDS IN THE HALL
KIDS WARNER BROS. NEW YEAR'S EVE BASH
KING OF THE HILL
KINGPIN
KLOVN
KNOT'S LANDING
LA HORA PICO
LAND'S ENDING
LASSIE'S GREAT ADVENTURE
The LATE LATE SHOW WITH CRAIG KILBOURN
The LATE SHOW WITH DAVID LETTERMAN
LEEZA
LIFE GOES ON
LIZ: The LIZ TAYLOR STORY
LOIS & CLARK / SUPERMAN
L.A. LAW
MAD ABOUT YOU
MALCOLM IN THE MIDDLE
MARKER
MARRIED...WITH CHILDREN
MEEGO
MELROSE PLACE
MIDNIGHT CALLER
MIRACLES
MR. BELVEDERE
MODELS, INC.
Monsters, Madmen & Machines: 25 Years of Science Fiction
MURDER, SHE WROTE
MURPHY BROWN
MY GUIDE TO BECOMING A ROCK STAR
MY SO CALLED LIFE
NAKED CITY
NASH BRIDGES
NERO WOLFE
NEW ATTITUDES
NEWHART
THE NEWLYWED GAME
NEWSRADIO
NEWTON'S APPLE
NIGHT COURT
NIGHT VISIONS
90210
NORTHERN EXPOSURE
NOT JUST THE NEWS
NOW AND AGAIN
OLIVER BEENE
The OPRAH WINFREY SHOW
OUR HOUSE
OUT OF THE DARKNESS
PARTY GIRL
PARTY OF FIVE
PASADENA
PASSIONS
PERFECT STRANGERS
PLAYMAKERS
POPULAR
The PRICE IS RIGHT
PROMISED LAND
PROVIDENCE
REAL MCCOYS
REASONABLE DOUBTS
REBELDE
REN & STIMPY
ROBIN'S HOODS
ROCK N ROLL MOM
RODNEY
ROLANDO
ROOM FOR TWO
ROSEANNE
ROSALINDA "THALINDA"
RIPTIDE
RYAN CAULFIELD: YEAR ONE
SAFE HARBOR
SANTA BARBARA
SATURDAY NIGHT LIVE
SCRUBS
SEINFELD
SESAME STREET
7th HEAVEN
SHASTA McNASTY
SILK STALKINGS
The SIMPSONS
SISTERS
SIX FEET UNDER
SOLID GOLD
SPIN CITY
SUNSET BEACH
TALES FROM THE CRYPT
TAXI
THAT'S LIFE
THIEVES
3RD ROCK FROM THE SUN
THROUGH THE EYES OF A KILLER
TITUS
TONIGHT SHOW WITH JAY LENO
TOTALLY HIDDEN VIDEO
TOUCHED BY AN ANGEL
The TRACY ULLMAN SHOW
TURKS
21 JUMP STREET
20/20
TWO GUYS AND A GIRL
UGLY BETTY
UNCLE BUCK
UNDECLARED
THE UNTOUCHABLES
V.I.P.
YOUNG INDY
WANTED DEAD OR ALIVE
WKRP IN CINCINNATI
WEST WING, THE
WHEEL OF FORTUNE
WHEN THE LION ROARS
WHITE KNIGHT
WILD KINGDOM
WITHOUT A TRACE
WOLF LAKE
The X-FILES

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GOOD BURGER
IMAGINE THAT
LEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS
MADAGASCAR: Escape 2 Africa
The ODD COUPLE 2
PRIVATE PARTS
SNOW DAY
THE TRUMAN SHOW
YOURS, MINE AND OURS
WAYNE'S WORLD II

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AMERICAN EXPRESS
AMWAY CORP.
BLUE CROSS / BLUE SHIELD
DISNEY / MGM STUDIOS THEME PARK
FORD MOTOR COMPANY
IBM
MOTOROLA, INC.
NASA
NEW YORK LIFE INSURANCE
NORTHWEST AIRLINES
UNIVERSAL STUDIOS

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JANE FONDA'S FITNESS WALK OUT

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As the Spumco motto—"The Danes Call It Quality"—indicates, the ghosts of Denmark haunt Ren and Stimpy lore. A leading contender in Hamlet's gene pool is Danish composer, arranger, and entrepreneur Ole Georg. The company was formally known as Capitol Production Music by the time Ole Georg became the library's overseer in 1964. Since then, his name has appeared on the closing credits to many films for music that is now available from OGM (Ole Georg Music), the principal supplier of music to CPM for many years. He has spent his entire adult life in studios, perfecting the science of meticulously timed cues that have also appeared on animation favorites such as Dilbert and Who Framed Roger Rabbit?
"I come from a country where they invented Lego blocks," Ole Georg explains. "For me, music goes by the same principle. You build a score through small pieces and you have to equalize the sound. This was important when we worked in distant recording studios. We'd 'record in compatible keys so that we could edit from one studio to another."
Ole Georg also understands the vital need to retain a gentler, more romantic sound: "We live in such insecure times. We all tend to think about our childhood or early years when it was kind of safe and nice to be a human being. People associate this music with The Adventures of Ozzie and Harriet, security, home life, and family institutions. That's the reason we've made a point of cultivating this vintage 'catalog. No production library can be successful without one."
Ole Georg's OGM catalog has also embellished Ren and Stimpy with romantic themes of a more "classical" pedigree. There are snippets from Strauss's Die Fledermaus in "Big House Blues" (1991), Brahms's Lullaby in "Haunted House" (1992), and Debussy's "Prelude to the Afternoon of a Faun" in "Powdered Toast Man" (1992). And no Ren and Stimpy aficionado could forget the visual poetry in the "Yak Shaving Day" short (1991), when a hoary beast squirms out from a bathtub drain and proceeds to slide a razor across his face to the toe-tapping splendor of Tchaikovsky's "Dance of the Sugar Plum Fairy."
The time-tested selections from both KPM and CPM have one prime selling point: they were recorded with three-dimensional analog orchestras and full string sections. This is a rare luxury today, a situation due more to economic than aesthetic considerations. There was a time when hyper-electronic audio was touted as the music of the "future." But today, many are languishing in a cheaply digitized new world order full of synthesized strings that often sound more like reloading toilet tanks. "If you want to be authentic, you cannot do stuff like that," Ole Georg observes with concern. "The moment you go to synthesizers, the soul of the music is often down the drain. For The
Ren Stimpy Show, you have to have the music as it was recorded at that time: live, with all of the small, charming mistakes."
As of late, the same snooty art critics who once thumbed their noses at Norman Rockwell now find his work suitable for framing at the Guggenheim. Perhaps such changes of heart may set a precedent, to encourage more music critics to lend an appreciative ear to Ren and Stimpy's "happy happy, joy joy"—even if it means gulping spoonfuls of "shaving scum" to help the sugar go down.


Excerpt from the chapter “Rhapsody in Spew – Romantic Underscores in The Ren & Stimpy Show” written by Joseph Lanza for “The Cartoon Music Book” Edited by Daniel Goldmark and Yuval Taylor. ©2002 A Cappella Books.
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